Summary: The original play BODAS DE SANGRE (BLOOD WEDDING) by Federico García Lorca was based on a murder that involved adultery and a long-standing family feud. The transition to a ballet by Alfredo Manas, with its use of traditional Andalusian folksingers and musicians, is clear and crisp. The motives and actions of the characters, danced in the flamenco style to the music of Emilio de Diego and choreographed by Antonio Gades, are easily accessible. They place the action firmly within the traditional Spanish codes of honor and revenge. But Carlos Saura, while seeing them as clearly outdated, tries not to condescend or paint the characters as caricatures in a quaint, picaresque story but instead del
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